A stranger in the most important crossroad of the Capital | Melika Mousavinia A familiar stranger at the most important crossroad of Tehran, a place for praying with an avant-garde form from traditional mosques, is a sign of contradiction; an indication of a difference between the modern definition of praying...
All that glitters is not gold | Omid Nasiri Form bears a trace of concept from its creator. A sketch, indeed, takes meaning in its environment through narratives and background connections to become a form. The form delivers sensations or concepts through reference to the background of related fields. فرم...
Process of Concept; A Groundbreaking Exercise or a Destructive Trap; A Critical Look at the Process of Teaching Formalism in the Current Schools of Architecture in Iran | Ali Asgari Form design is counted as a part of architectural procedure with the aesthetic concerns. So, this perspective/position in nowadays architecture...
Urban design; interaction of form, function, and meaning | Interview with Jahanshah Pakzad A city is much more complicated than we could find a specific form for it or its spaces. Neither Urban design is an art, nor an urban designer is an urban planner or an artist like a...
The form is a shout: building a supplementary angle in Rasht | Mohammad Nazarpour A perspective that assumes the form as the fundamental element of narration in considering the place and emphasizes location-based narrators can establish a good relationship with the urban problem. This perspective is a bypass from the...
